7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
408 Chapter 24 Sculpture
Transition
Provides control over the “transitions” between the morph points. This can range from
the original (possibly recorded) movement to linear connections, and beyond this to
“stepped” transitions.
By the latter, we mean remaining at one morph state during the entire Morph Envelope
segment, and then abruptly switching to the morph state set at the following envelope
point.
This parameter (and the Morph Envelope itself) can lead to interesting evolving sounds
or even rhythmic patches.
MIDI Controller Assignments
This section allows you to define the MIDI controllers you wish to use for vibrato depth
control or morph pad movements, for example. These parameters are saved with each
setting. They are only updated if the default setting (that is loaded on instantiating the
plug-in) is used, or if the setting was saved with a song.
This approach helps you to adapt all MIDI controllers to the keyboard, without having
to edit and save each setting separately.
Learn
All parameters that allow you to select a MIDI controller (VibDepth Ctrl, CtrlA, CtrlB,
CtrlEnv1, CtrlEnv2, MorphX, Morph Y) offer a Learn option. If selected, the parameter
will automatically be set to use the first appropriate incoming MIDI message.
Vib Depth Ctrl
Defines the MIDI controller used for vibrato depth control.
Ctrl A/Ctrl B
Allows the assignment of two controllers that can be used as “via” modulation signals,
for direct modulation routings found on the CtrlA/CtrlB tab or for side chain
modulations.