7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 24 Sculpture 407
The loop and sustain point icons (the small “L” and “S”) can be directly grabbed and
repositioned. Note that doing so can potentially alter the loop (and the overall Morph
Envelope) length.
• When set to finish, the Morph Envelope runs in “one shot mode” from its beginning
to its end—even if the note is released before the envelope has come to its end. The
other loop parameters are disabled.
• When set to forward, the Envelope runs to the sustain point (indicated by the blue “S”
icon) and begins to repeat the section between the loop point (indicated by the blue
“L” icon) and sustain point periodically—always in a forward direction.
• When set to backward, the Envelope runs to the sustain point (“S” icon) and begins to
repeat the section between the sustain point and loop start point (“L” icon)
periodically—always in a backward direction.
• When set to alternate, the Envelope runs to the sustain point (“S” icon) and returns to
the loop point (“L” icon) and back to the sustain point periodically, alternating in
both a backward and forward direction.
Loops can be synchronized to the song tempo automatically via the sync/ms buttons.
Sync/ms
These parameters allow you to select between a free-running envelope (with segment
times displayed in milliseconds) or a tempo-synced envelope with note value options,
such as 1/8th or 1/4.
Switching between values forces a recalculation of times to the nearest note value or
ms time, respectively, based on the current song tempo.
Depth
This parameter scales the amount of morph movement caused by the Morph Envelope.
The effect of the Depth parameter is visually displayed in the Morph Pad. As you
increase/decrease the value, the morph trajectory will also be scaled.
Modulation (Source and Depth)
These parameters allow you to select a modulation source and amount, which are used
to scale the movement of the Morph Envelope.