7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
406 Chapter 24 Sculpture
Morph Envelope Parameters
Mode
Activates the Morph Envelope, and allows you to select from between the following
modes:
• Off—Morph functionality is disabled.
• Pad only—envelope is deactivated, and morph functionality is controlled by the
morph cursor (the “ball”) and/or X/Y MIDI controllers only.
• Env only—envelope is running, but the morph cursor and X/Y MIDI controllers are
deactivated.
• Env+Pad—envelope is running, and the position of the morph cursor and/or X/Y
MIDI controllers is used as an offset for any envelope movements.
• Env+Point Set—envelope is running. The selected envelope point can be edited by
moving the morph cursor in the pad or via MIDI (“MorphX” and “MorphY” Controller
Assignments).
• Point Solo—envelope in a kind of “still picture” mode. the selected envelope point
can be edited by moving the morph cursor in the pad.
Time Scale
This parameter scales the duration of the entire envelope between 10% and 1000%.
Sustain Mode
Allows you to select the behavior of the Morph Envelope while a note is held. Choices
are: the usual sustain mode, finish mode or one of three loop modes (forward,
backward, alternate).
When in any of the loop modes, the loop always cycles between the loop and sustain
Envelope “handles” (the nodes indicated by the small “L” and “S” icons). The Morph
Envelope can—like any envelope—run in one shot (as long as the note is sustained). It
can also run several times or in an infinite cycle, much like an LFO. You can achieve this
through the use of loops.
Note that if one of the three loop modes is selected, and the loop point is positioned
before the sustain point, the loop will be active until the key is released. Following key
release, the envelope will then continue beyond the sustain point, as per usual.
If the loop point is positioned after the sustain point, the loop will be entered as soon
as the key is released, and will be cycled infinitely (until the complete voice is released
by finishing the release phase of the amplitude envelope).