7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
4
39
4 Dynamic
This chapter introduces Logic’s Dynamic plug-ins.
This includes the Compressor, Silver Compressor, Expander, Noise Gate, Silver Gate,
Enveloper, DeEsser, Limiter, Multipressor, and Adaptive Limiter plug-ins.
Compressor
A compressor tightens up the dynamics of a signal. This means that the difference in
levels between loud and soft passages is reduced. This “evening out” of the loud and
soft passages means that the peak level remains pretty constant, and the overall
loudness—the perceived volume—of a track is increased. Next to an EQ, a compressor
is your most valuable sound-shaping tool when mixing. A compressor is a universal
effect, it has a virtually unlimited range of applications. You should definitely exploit it
for vocal tracks, but a compressor can also often work wonders for entire mixes. When
you use a compressor, be sure to route the entire signal through it, by inserting it
directly into channels. It should only be used in a bus when you want to compress a
group of tracks (a drum kit, for example) simultaneously, and by the same amount.
Again, these tracks (individual drums in a kit, for example) should be routed to the bus
in their entirety, as opposed to using Send knobs to route just parts of each signal to
the bus. You do this by selecting the appropriate bus as the output destination for the
tracks that you wish to compress.