7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
388 Chapter 24 Sculpture
Target1/2
These two modulation destinations can be assigned per LFO, with an optional,
additional “via” modulation. These parameters determine modulation destinations 1
and 2. To activate, click on either the 1 or 2 buttons (which will highlight the Target and
via text/pull-down menus), then click-hold on the Target pull-down menu(s). Select the
desired target, and release the mouse button.
Via (source) 1/2
These parameters determine the source that controls the modulation scaling for each
LFO.
Modulation amount sliders: Amt and Via (Amount)
In cases where the Via source is set to off, only one amount slider is visible (the Via
(Amount) slider is hidden):
• Amt 1/2—The Amt slider determines the modulation amount.
In cases where any Via source other than off is selected, there are two sliders:
• Amt 1/2—The Amt slider determines the modulation amount in cases where the
incoming Via signal is zero, e. g. a modulation wheel at its minimum position/value.
• Via (Amount) 1/2—The Via (Amount) slider determines the modulation amount in
cases where the incoming Via signal is at full level, e. g. a modulation wheel at its
maximum position/value.
Vibrato
One LFO is hard-wired to pitch, for vibrato effects. The strength of the vibrato effect can
be adjusted via the MIDI controller assigned in the VibDepth Ctrl menu. This is set in the
MIDI controller assignment section. More information can be found in the “MIDI
Controller Assignments” on page 408.
Waveform
Allows you to select the waveform used for vibrato, for example sine, triangle, sawtooth,
and so on.