7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
384 Chapter 24 Sculpture
• Click-dragging horizontally on the graph allows you to control the Formant Shift
parameter.
Level/Limiter
Level
Controls the overall output level for the instrument. Drag to adjust.
Level Limiter Mode
Clicking on the desired button activates/deactivates the integrated limiter. Options are:
• off—disables the limiter.
• mono—a monophonic limiter on the summed signal of all voices.
• poly—a polyphonic limiter, that processes each voice independently.
• both—a combination of both limiter types.
This function is very useful for “domesticating” some of the more “aggressive” aspects of
Sculpture’s component modelling synthesis engine.
Modulation Generators
Sculpture features a comprehensive collection of modulation generators. There are:
• Two assignable LFOs, with (song) tempo-syncable rates.
• An additional LFO that is hard wired to Vibrato.
• Random variations can be created via two Jitter generators (with adjustable
bandwidth).
• Two Randomizers that only change values at note start/on.
• Two Control Envelopes can either be used as “standard” envelopes or as MIDI
controlled modulators—with the ability to record, polyphonically play back (on a
per-voice basis) and modify incoming MIDI controller movements.
All modulation assignments take place within the generators.
“First order” modulations are where the modulation generator modulates core synthesis
parameters.
“Second order” modulations are where one modulation generator modulates the
parameters of the other modulation generator. These include: LFO Rate Modulation,
VariMod, Morph Envelope Modulation, and A Time Velosens.