7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
382 Chapter 24 Sculpture
Model
The Model pull-down menu allows you to select the model from the following list. Any
selection will be reflected in the graphic window to the right:
• Low Mid Hi—A broadband equalizer module, with individual controls (via the knobs)
of Low, Mid, and High frequency ranges.
• Guitar 1—Emulates the body of an acoustic guitar.
• Guitar 2—Emulates the body of another acoustic guitar.
• Violin 1—Emulates the body of a violin.
• Violin 2—Emulates the body of another violin.
Body EQ Controls
Please note that the following parameters are labeled differently for the Basic EQ (Low
Mid Hi Model). All other model parameters are discussed below.
• Low—gain of a low shelving filter—set at 80 Hz
• Mid—gain of a peak filter—set at 2.5 kHz (but is sweepable—see below)
• High—gain of a high shelving filter—set at 12 kHz
In addition, when the Lo Mid Hi model is selected, the slider above the response graph
is labeled Mid Frequency, and allows you to sweep the center frequency of the mid
band between 100 Hz and 10 kHz.
You can directly control the Lo Mid Hi model by click-dragging in the Body EQ graph:
• Click-dragging vertically on the left third of the graph allows you to control the Low
parameter.
• Click-dragging vertically on the center third of the graph allows you to control the
Mid parameter.
• Click-dragging horizontally on the center third of the graph allows you to control the
Mid Frequency parameter.
• Click-dragging vertically on the right third of the graph allows you to control the Hi
parameter.
For all other Models:
For all other BodyEQ models you have the following parameters:
Formant—Intensity
Scales the intensity of the model’s formants. In other words, any formants (harmonics)
in the model will become louder, or will be inverted, dependent on how this parameter
is used.
• A value of 0.0 results in a flat response.
• A value of 1.0 results in strong formants.
• Negative values invert the formants.