7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
38 Chapter 3 Equalizer
At low Q values, the EQ influences a wider frequency range, and at high Q values, the
effect of the EQ band is limited to a very narrow frequency range. Please bear in mind
that your perception of an attenuated or boosted frequency depends heavily on the Q
parameter: If you’re working with a narrow frequency band, you’ll generally need to
cut or boost it more drastically to notice a difference.
Silver EQ
The Silver EQ contains one High Shelf, a Parametric and one Low Shelf filter with the
corresponding parameters. More on each of these is found in the Individual EQ’s
section below.
DJ EQ
The DJ EQ combines Low and High Shelving Filters with a fixed frequency, and one
Parametric EQ with its attendant parameters. More on each of these is found in the
Individual EQ’s section below.
The special feature of the DJ EQ is that it allows the gain of the filters to be reduced
down to −30 dB.
Individual EQs
Parametric EQ
The Parametric EQ offers the following three parameters:
• Hz: Center frequency
• dB: Cut/Boost
• Q: Quality
A symmetrical frequency range on either side of the center frequency is boosted or cut.
You can adjust the width of this frequency range with the Q control.
High Shelving EQ/Low Shelving EQ
• The Low Shelving Equalizer only affects the frequency range below the selected
frequency.
• The High Shelving Equalizer only affects the frequency range above the selected
frequency.