7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 24 Sculpture 363
The string Release parameters impact on the vibrations of the string once the key has
been released.
The Hide button is handy for avoiding accidental parameter changes, and simplifies the
interface.
The Material Pad
The following two string material parameters determine the general timbre, and are
controlled by the “ball” (which correlates to the X and Y co-ordinates) within the
Material Pad.
The “crosshair” is a handle for the Key Scale/Release Scale diamonds in cases where
these are hidden by the ball. It also allows you to independently change the keyscaling
for one of the two axes (X/Y positions—Inner Loss or Stiffness).
In general synthesizer terms, this could be viewed as a base timbre generator in the
Oscillator section.
Note: Option-clicking resets all string parameters to their default values.
InnerLoss (morphable)
This parameter is used for damping of the string, as caused by the string material—
steel, glass, nylon, or wood. These are frequency-dependent losses which cause the
sound to become more mellow during the decay phase. Simply click-hold, and drag,
the Inner Loss and Stiffness “ball” to the desired position.
Inner Loss Scale Low/High
Allows independent adjustments to the key tracking of inner “losses” for notes above
and below C3.
To adjust Inner Loss keyscaling, first select the Keyscale button, then click-hold on the
green horizontal line for low notes or the blue horizontal line for high notes, and drag
up/down to the desired position.
A diamond indicates the intersection between the Inner Loss and Stiffness Low/High
Scaling positions. You can click-hold and drag this diamond directly, to adjust both
parameters simultaneously.