7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 23 Ultrabeat 353
Metallic Sounds
If you want to create metallic sounds with Ultrabeat, the ring modulator and the Model
oscillator are the ideal tools.
To use the ring modulator, proceed as follows:
1 Load the Default Tutorial sound.
2 Activate a Phase Oscillator and the Model oscillator. Choose a pitch for each oscillator
above C3 so that a slightly detuned interval is created.
3 In the Material Pad of the Model oscillator, choose a setting with plenty of overtones as
in the graphic below.
4 Set the volume of each oscillator to a value of −60 dB and turn the ring modulator on
by clicking on its name.
You’ve just created a bell-like sound that you can filter (with a high resonance value) if
required.
Note: You can find a similar sound called “Ring Bell” at a pitch of A2 in the tutorial set.
Clicks and Cuts
Ultrabeat features extremely fast envelopes and uncommonly powerful LFOs. Use these
modulation sources to perform extreme modulations of the oscillator and filter
parameters. The key to creating “out of the ordinary” sounds is to try modulating as
many targets as possible, and not to be afraid of using extreme settings: use a quick
envelope to drive the filter to self oscillation for a fraction of a second, use a few LFO
cycles at a much higher rate than other cycles, or experiment with the Dirt parameter
or the bitcrusher.