7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
328 Chapter 23 Ultrabeat
Note: The Max setting produces a static modulation at maximum level. When the Mod
value is set to Max, the Via parameter is routed directly to the modulation target. This
way, velocity can be used as a direct modulation source, even though Vel is not
available as a source in the Mod menu.
Another example would be to set up an external MIDI fader unit with Ctrl A, B, C, or D
(see below). You could then use the Max item in the Mod menu to route the respective
Via source—Ctrl A, B, C, or D—to the parameter you’d like to control with one of the
faders on your MIDI fader box.
Clicking on the Via label opens the Via menu. This is where you choose the Vel or Ctrl A
to Ctrl D parameters.
Vel represents velocity.
Ctrl A to Ctrl D are four continuous controllers that can be assigned to four external
MIDI controllers. These assignments are made in the MIDI Controller Assignments area at
the upper right edge of the Plug-in window (see below). The assignments apply to all
sounds in the current Ultrabeat plug-in instance.
MIDI Controllers A–D
In the MIDI Controller Assignments area at the upper edge of the Plug-in window you
can assign a standard MIDI controller to each of the four controller slots: Ctrl A, B, C, or
D. Ctrl A, B, C, and D can be used as Via modulation sources within Ultrabeat. Use these
assignments to set up your external MIDI controller hardware to operate with
Ultrabeat. As examples; aftertouch or the modulation wheel of your MIDI keyboard.
Note: All MIDI Controller Assignment menus feature a Learn option. If this is selected,
the parameter will automatically be assigned to the first appropriate incoming MIDI
data message.
LFO 1/2
Among other items, two LFOs are available as modulation sources in the Mod menu.
LFO is the abbreviation for Low Frequency Oscillator. The LFO signal is used as a
modulation source. In an analog synthesizer, LFO frequency generally ranges between
0.1 and 20 Hz, which is outside our audible frequency spectrum.