7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
310 Chapter 23 Ultrabeat
The curved slider to the left of the Volume knob controls the pitch of the oscillator in
half step intervals. If you press Shift, you can adjust the pitch of Oscillator 1 in cent
intervals.
The pitch value is displayed numerically to the left of the slider. You can change the
displayed value by click-holding directly on the value field, and moving the mouse
vertically.
Pitch can be modulated by the sources found in the Mod and Via menus. If sources are
selected, small blue (Mod) and green (Via) sliders appear beside the pitch control. These
allow control over the effect of the Mod and Via modulation routing. The range affected
by parameter modulation is colored blue and green, and runs alongside the pitch slider.
Oscillator 1 can be switched between two different types of synthesis engines: Phase
Oscillator and FM. This can be done by clicking the appropriately labeled buttons at the
upper edge of the Oscillator 1 section.
Phase Oscillator
The waveform of the Phase Oscillator can be “twisted” with the Slope, Saturation, and
Asymmetry parameters, and shaped into almost any basic synthesizer waveform. The
effects of these three parameters are graphically illustrated in the waveform display
within the oscillator section. Setting all three parameters to zero values will cause the
oscillator to produce a sine wave.
The Slope parameter determines the slope or steepness of the waveform. The higher
the Slope value, the steeper the waveform. The resulting sound takes on an increasingly
nasal character as steepness is increased.
Increasing Saturation values clip the waveform, gradually molding its shape towards a
rectangular waveform. This results in a corresponding increase in odd numbered
overtones.
Sine and rectangualar waves (and all variations in-between) are achieved with the Slope
and Saturation parameters. Asym (Asymmetry) “tilts” the waveform in the direction of a
sawtooth wave, making the sound more edgy.