7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 277
Curve
The Curve parameter sets the shape of the transition from point to point. You can
choose between nine convex and nine concave shapes. There are also the two extreme
forms; hold+step and step+hold, which allow stepped modulation. Where step+hold
jumps at the beginning of the transition time, hold+step jumps at the end.
Note: You can use hold+step to create stepped vector grooves with up to 15 steps.
Vector Envelope Loops
The Vector Envelope can—like any envelope—run in one shot (as long as the note is
sustained) mode. It can also run several times or in an infinite cycle, much like an LFO.
You can achieve this through the use of loops.
Note: The loop parameters might remind you of the loop parameters available for
samples. Just to avoid any misunderstandings: The Vector Envelope only supplies
control signals used for moving the cursor positions of the Triangle and Square. The
audio of the ES2 is not looped at all.
Loop
The ES2 features these loop options:
• Off
If Loop Mode is switched Off, the Vector Envelope runs in one shot mode from its
beginning to its end—given that the note is held long enough. The other loop
parameters are disabled.
• Forward
When Loop is set to Forward, the Vector Envelope runs to the Sustain Point and
begins to repeat the section between the Loop Point and Sustain Point periodically,
always in a forward direction.