7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 271
Decay Time
The Decay time parameter defines the length of time it takes for the level of a sustained
note to fall to the Sustain level, after the attack phase is over. If Sustain level is set to its
maximum, the Decay parameter has no effect. When the Sustain level is set to its
minimum value, Decay defines the duration or fade-out time of the note.
The Decay parameter appears as a modulation target in the Router for ENV 2 and ENV 3
individually (ENV2Dec, ENV3Dec).
Note: On pianos and plucked string instruments, high notes decay faster than low
notes. In order to simulate this effect, modulate the Decay Time target with the Kybd
source in the Router. The Router channel slider should be set to a negative value.
Sustain and Sustain Time
When the Sustain Time parameter is set to its center value—which can be achieved by
clicking the ∞ symbol—the Sustain level behaves like the Sustain parameter of any
synthesizer ADSR envelope. In this position, the Sustain level (abbreviated as S) defines
the level that is sustained for as long as the key remains depressed, following the
completion of the Attack time and Decay time phases.
The Sustain Time slider defines the time it takes for the level to rise to its maximum—or
to fall to zero—after the decay phase is over. Settings in the lower half of its range (Fall)
determine the speed at which the level decays from the Sustain level to zero. The lower
the slider position, the faster the decay speed. Settings in the upper half of its range
(Rise) determine the speed at which the level rises from the Sustain level to its
maximum value. The higher the slider position, the faster the speed of the rise.
Release Time
As with any synthesizer ADSR envelope, the Release time parameter (R) defines the time
the level takes to decay to zero after the key is released.
Vel
The Vel (Velocity Sensitivity) parameter defines the velocity sensitivity of the entire
envelope. If it is set to maximum, the envelope will only output its maximum level
when the keys are struck at maximum velocity.