7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 269
Note: Both ENV 2 and ENV 3 are velocity sensitive, making it unnecessary to set via to
Velo in the Router channel: You can leave via switched off.
The Parameters of ENV 1
At first glance, ENV 1 appears to be rather poorly equipped. Its few parameters,
however, are useful for a vast range of synthesizer functions.
Trigger Modes: Poly, Mono, Retrig
In Poly mode, the envelope generator behaves as you would expect on any polyphonic
synthesizer: Every voice has its own envelope.
In Mono and Retrig modes, a single envelope generator modulates all voices in
parallel—identically, in other words.
• If ENV 1 is set to Mono, all notes must be released before the envelope can be
triggered again. If you play legato, or any key remains depressed, the envelope won’t
start its attack phase again.
• In Retrig mode, the envelope will be triggered by any key you strike, no matter
whether other notes are sustained or not. Every sustained note is affected by the
retriggered envelope.
Note: The design of early analog polysynths led to polyphonic instruments where all
voices passed through a single lowpass filter. This design was primarily due to cost
factors. The best known example of these polyphonic instruments were the Moog
Polymoog, the Yamaha SK20 and Korg Poly 800. The sole lowpass filter of such
instruments is controlled by a single envelope generator. To simulate this behavior, use
the Mono or Retrigger modes.
Note: Say you’ve modulated the Cutoff 2 target with a percussive source, such as ENV1,
which is set to Retrig. If you play and sustain a bass note, this note will receive a
percussive filter effect every time you hit another key. The newly struck key is also
shaped by the same filter. Playing a sound set up in this way feels like you’re playing a
polyphonic synthesizer with one filter. This is despite the fact that the ES2’s filters
remain polyphonic and can be simultaneously modulated by different polyphonic
sources.
Note: If you want to simulate the percussion of a Hammond Organ, you will also need
to use the Mono or Retrigger modes.