7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 261
ENV1
… Envelope Generator 1 is described in “The Envelopes (ENV 1—ENV 3)” section, on
page 268.
ENV2
… Envelope Generator 2 is described in “The Envelopes (ENV 1—ENV 3)” section, on
page 268.
ENV3
… Envelope Generator 3 is described in “The Envelopes (ENV 1—ENV 3)” section, on
page 268.
Note: Envelope Generator 3 always controls the level of the overall sound.
Pad-X, Pad-Y
These modulation sources allow you to define the axes of the Square, for use with the
selected modulation target. The cursor can be moved to any position in the Square,
either manually or controlled by the vector envelope. See “The Square” on page 272
and “The Vector Envelope” on page 273.
Max
If you select Max as a source, the value of this source will permanently be set to +1. This
offers interesting options in conjunction with via, as the possible values available for via
control the modulation intensity.
Kybd
Kybd (Keyboard) outputs the keyboard position (the MIDI note number). The center
point is C3 (an output value of 0). Five octaves below and above, an output value of −−
1 or +1, respectively is sent.
Note: This could be used to control the Cutoff frequencies of the filters in parallel with
the keyboard position—as you played up and down the keyboard, the Cutoff
frequencies would change. Modulate the Cut 1
+
2 target with the Keyboard source to do
so. At a modulation intensity of 0.5, the Cutoff frequencies scale proportionally with the
pitches played on the keyboard.
Velo
If you select Velo (Velocity), velocity sensitivity serves as modulation source.
Bender
The pitch bender serves as a bipolar modulation source, if Bender is selected. This is also
true when the Oscillators’ Bend Range parameter is set to 0.
ModWhl
The modulation wheel serves as an unipolar modulation source, if ModWhl is selected.