7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
258 Chapter 22 ES2
Resonance 1 (Reso 1)
This target allows modulation of the Resonance of Filter 1. See the “Cutoff and
Resonance” section, on page 246.
Cutoff 2
This target allows modulation of the Cutoff Frequency of Filter 2.
Resonance 2 (Reso2)
This target allows modulation of the Resonance of Filter 2.
LPF FM
A sine signal, at the same frequency as Oscillator 1, can modulate the Cutoff frequency
of Filter 2 (which always works as a low pass filter). LPF FM (Lowpass Filter Frequency
Modulation) allows the modulation of Filter 2’s FM modulation intensity. This filter FM
parameter is described in the “Filter 2 FM” section, on page 250.
Cut 1+2
Cut 1+2 (Cutoff 1 and 2) modulates both filter’s Cutoff frequencies in parallel, much like
applying the same modulation to Cutoff 1 and Cutoff 2 in two Router channels.
Cut1inv2
Cut1inv2 (Cutoff 1 normal and Cutoff 2 inverse) simultaneously modulates the Cutoff
frequencies of the first and second filters inversely (in opposite directions). Put another
way, while the first filter’s Cutoff frequency is rising, the Cutoff of the second filter will
fall—and vice versa.
Note: In cases where you have combined Filter 1, defined as a highpass filter, and Filter
2 (which always works in lowpass mode) in Serial mode, both will serve as a bandpass
filter. Modulating the Cut1 inv 2 target will result in a modulation of the bandpass filter’s
bandwidth in this scenario.
FltBlend
FltBlend (Filter Blend) modulates the FilterBlend (the cross-fading of the two filters), as
described in the “Filter Blend and Signal Flow” section, on page 243.
Note: If FilterBlend is set as a target in one or several Router channels, the modulation
data for both filters will be calculated—even if the FilterBlend parameter is set to 1.0 or
+1.0 . As such, we advise caution when choosing FilterBlend as a modulation target
because it may increase the need for processing power.