7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 257
Osc1WaveB
If wavetable modulation is active for a DigiWave using Osc1Wav, you can use this target
to modulate the shape of the transition.
Osc1 FM mode: When compared with the hardwired Osc1-FM and the Osc1Wave
modulation target, the Osc1WaveB modulation target offers much higher FM
intensities.
Osc2WaveB
If wavetable modulation is active for a Digiwave using Osc2Wav, you can use this target
to modulate the shape of the transition.
Osc3WaveB
If wavetable modulation is active for a Digiwave using Osc3Wav, you can use this target
to modulate the shape of the transition.
SineLevl
SineLevl (Sine Level) allows modulation of the sine wave level of Oscillator 1, which can
be mixed directly into the input of the dynamic stage—without being affected by the
filters. The parameter defines the level of the first partial tone of Oscillator 1. See the
“Sine Level” section, on page 252.
OscLScle
OscLScle (Osc Level Scale) allows modulation of the levels of all three oscillators
simultaneously. A modulation value of 0 mutes all oscillators, while a value of 1 raises
the gain of the entire mix by 12 dB. The modulation is applied before the overdrive
stage, allowing for dynamic distortions.
Osc1Levl
Osc1Levl (Osc 1 Level) allows modulation of Oscillator 1’s level.
Osc2Levl
Osc2Levl (Osc 2Level) allows modulation of Oscillator 2’s level.
Osc3Levl
Osc3Levl (Osc 3Level) allows modulation of Oscillator 3’s level.
Cutoff 1
This target allows modulation of the Cutoff Frequency of Filter 1. See the “Cutoff and
Resonance” section, on page 246.