7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
256 Chapter 22 ES2
For further information on the effects of these modulations, please read the “Pulse
Width Modulation” section, on page 236. Also take a look at the “Linear Frequency
Modulation” section, on page 234, “White and Colored Noise (Oscillator 3 only)”, on
page 240, and the “Digiwaves” section, on page 233.
Osc1Wave
Dependent on the waveform selected, you can control the pulse width of rectangular
and pulse waves of Oscillator 1, the amount of frequency modulation (with Oscillator 1
being the carrier and Oscillator 2 being the modulator), or the position of the Digiwave.
The pulse width of the rectangular and pulse waves is not restricted to two fixed values
in Oscillator 1.
Note: In classic FM synthesizers, the amount of FM is controlled in real time by velocity
sensitive envelope generators. Select one of the ENVs as the source for such sounds.
Osc2Wave
As per Osc1Wave, except that Oscillator 2 does not feature FM. Please note that pulse
width modulation also works with both the synchronized rectangular and ring
modulated rectangular waves.
Osc3Wave
Oscillator 3 is as per Osc1Wave and Osc2Wave, but it does not feature FM or ring
modulation. Oscillator 3 features Noise, the color of which can be modulated with this
parameter.
OscWaveB
The transitions between Digiwaves during a wavetable modulation are always smooth.
Depending on the modulation intensity, an additional OscWaveB target can be used to
continuously modulate the shape of the transitions from smooth to hard. It applies to
all Oscillators.