7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
250 Chapter 22 ES2
Band Rejection
In this image, the second partial is rejected. The basic oscillation and all other
harmonics are present. Sawtooth is still the input waveform.
Bandpass Filter
The bandpass filter distorts the picture of the sawtooth wave.
Filter 2 FM
The cutoff frequency of Filter 2 can be modulated by the sine wave of Oscillator 1,
which means that it can be modulated in the audio frequency range.
The effect of such filter modulations in the audio spectrum is unpredictable, but the
results tend to remain harmonic as long as the modulation intensity doesn’t get too
high. FM defines the intensity of frequency modulation. This parameter can be
modulated in real-time: In the Router, this modulation is abbreviated as LPF FM.
A clean sine wave, at the frequency of Oscillator 1, is always used as the modulation
source.
Note: Don’t confuse this type of filter frequency modulation with the FM feature of
Oscillator 1, which can be modulated by Oscillator 2, as described in the “Linear
Frequency Modulation” section, on page 234.
Note: If a frequency modulation of Oscillator 1 by Oscillator 2 is used, it does not
influence the (sine wave) signal used to modulate the cutoff frequencies.