7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
242 Chapter 22 ES2
Filters
The ES2 features two dynamic filters which are equivalent to the Voltage Controlled
Filters (VCF) found in the world of analog synthesizers. The two filters are not identical.
Filter 1 features several modes: lowpass, highpass, bandpass, band rejection, peak. Filter
2 always functions as a lowpass filter. Unlike Filter 1, however, Filter 2 offers variable
slopes (measured in dB/octave).
The Filter button bypasses (switches off) the entire filter section of the ES2. Disabling
the filters makes it easier to hear adjustments to other sound parameters, as the filters
always heavily affect the sound. If the word Filter is green, the filters are engaged.
Disabling the filters reduces processor load.
Series and Parallel Filter Signal Flow
You can rotate the entire (circular) filter segment of the ES2 user interface. Press the
button labelled Parallel or Series to do so. The label and position/direction of the filter
controls clearly indicate the current signal flow.
In the position displayed above, the filters are cabled serially. This means that the signal
of the Oscillator Mix section (Triangle) passes through the first filter, and then this
filtered signal passes through Filter 2—if Filter Blend is set to 0 (middle position). See
the “Filter Blend: Cross-Fading the Filters” section, on page 243 for a detailed
description of this parameter.
The mono output signal of Filter 2 is then fed into the input of the dynamic stage (the
equivalent of a VCA in an analog synthesizer), where it can be panned in the stereo
spectrum, and then fed into the effects processor.