7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 22 ES2 241
The position of the cursor can be controlled via the vector envelope, just like the cursor
position in the Track Pad (the Square), which we’ll look at in “The Square” section, on
page 272.
Note that the vector envelope features a loop function. This addition extends its
usefulness, allowing you to view it as a luxurious pseudo-LFO with a programmable
waveform. It can be used for altering the positioning of the Triangle and Square
cursors. Read more about this in the “Vector Mode” section, on page 272, and “The
Vector Envelope” section, on page 273.
Triangle Values in Control View
Internally, the position of the cursor in the Triangle is described by two parameters (co-
ordinates, actually) which are relevant when it comes to automating the oscillator mix.
These parameters, called OscLevelX and OscLevelY—are visible in the Controls view.
Don’t confuse them with the X and Y positions of the Square.
If you intended to edit a Region containing oscillator mix automation data in the Hyper
Editor, you would use the following MIDI controller values. Take a look at the
information below to get a feel for how they operate.
In order to listen to Oscillator 1 only …
• choose OscLevelX= 1.0 (MIDI: 12 7 ) and OscLevelY= 1.154 (MIDI: 12 7 ).
In order to listen to Oscillator 2 only …
• choose OscLevelX= 0.0 (MIDI: 0) and OscLevelY= 0.577 (MIDI: 64).
In order to listen to Oscillator 3 only …
• choose OscLevelX= 1.0 (MIDI: 12 7 ) and OscLevelY= 0.0 (MIDI: 12 7 ).
In order to listen to Oscillator 1 and 2 only …
• choose OscLevelX= 0.5 (MIDI: 64) and OscLevelY= 0.866 (MIDI: 95).
In order to listen to Oscillator 1 and 3 only …
• choose OscLevelX= 1.0 (MIDI: 12 7 ) and OscLevelY= 0.577 (MIDI: 64).
In order to listen to Oscillator 2 and 3 only …
• choose OscLevelX= 0.5 (MIDI: 64) and OscLevelY= 0.288 (MIDI: 32).
All Oscillators have the same level at …
• OscLevelX= 0.667 (MIDI: 85) and OscLevelY= 0.577 (MIDI: 64).