7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
230 Chapter 22 ES2
Frequency Switch
Switches the pitch in semitone steps over a range of ±3 octaves. As an octave consists
of 12 semitones, the ±12, 24, and 36 settings represent octaves. You can click on these
options to quickly set the corresponding octave.
The value display works as follows: the left numbers show the semitone (s) setting, the
right numbers show the cent (c, 1 cent = 1/100th semitone) setting. You can adjust
these two values independently. As an example: an oscillator with the value 12 s 30 c
sounds an octave (12 semitones) and 30 cents higher than an oscillator with the value 0
s 0 c.
Note: The fifth (seven semitones), and all settings that correspond with harmonics of
an oscillator set to 0 semitones (19, 28 semitones) result in harmonic sounds.
Muting Oscillators
By clicking on the green numbers to the right of the oscillators, you can mute and un-
mute them independently. This saves processor power.
Wave
Each of the three oscillators features a rotary knob that allows you to select a
waveform. This is responsible for the basic harmonic content and tone color of a sound.
Oscillators 2 and 3 are almost identical to each other, but differ from Oscillator 1.
Oscillator 1 is capable of generating a sine wave, the frequency of which can be
modulated in the audio range, for true FM synthesis sounds. Oscillators 2 and 3 can be
synchronized to, or be ring-modulated with, Oscillator 1. They also feature rectangular
waves with freely definable fixed pulse widths plus pulse width modulation (PWM)
facilities. Via the Router, the rectangular and pulse waves of Oscillator 1 can be
modulated in width in conjunction with the synchronized and ring-modulated
rectangular waves of Oscillators 2 and 3.
Note: The Filter button disables the entire filter section. This makes listening to the pure
oscillator waveforms easier.