7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
216 Chapter 21 ES1
2', 4', 8', 16', 32'
These footage values allow you to switch the pitch in octaves. 32 feet is the lowest, and
2 feet, the highest setting. The origin of the term feet to measure octaves, comes from
the measurements of organ pipe lengths.
Wave
Wave allows you to select the waveform of the oscillator, which is responsible for the
basic tone color. You can freely set any pulse width in-between the square wave and
pulse wave symbols. The pulse width can also be modulated in the modulation section
(see the “Router” section, on page 219). Modulating the pulse width with a slowly
cycling LFO, for example, allows periodically mutating, fat bass sounds.
Sub
The sub oscillator delivers square waves (one and two octaves below the frequency of
the main oscillator), as well as a pulse wave (two octaves below the frequency of the
main oscillator). In addition to pure square waves, the waveform switch allows
selections between different mixes, and phase relationships of these waves, resulting in
different sounds. You can also use white noise, or switch the sub oscillator OFF. You can
feed a Side Chain signal (from any track!) into the synth’s filter (select EXT). You can
select the Side Chain source track from the Side Chain panel in the gray area at the top
of the Plug-in window.
Mix
This slider defines the mix relationship between the main and sub oscillator signals.
When the sub oscillator wave is switched to OFF, its output is completely removed from
the mix. As a tip, high resonance values allow the filter to self-oscillate, which can be
useful if you want to use the filter like an oscillator.
Filter Parameters
Drive
This is an input level control for the lowpass filter, which allows you to overdrive the
filter. Its use changes the behavior of the Resonance parameter, and the waveform may
sound distorted.