7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
19
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19 ES P
This chapter introduces you to Logic’s eight-voice
polyphonic ES P (ES Poly) synthesizer.
Functionally, (despite its velocity sensitivity) this flexible synthesizer is somewhat
reminiscent of the affordable polyphonic synthesizers produced by the leading
Japanese manufacturers in the 1980s: Its design is easy to understand, it is capable of
producing lots of useful musical sounds, and you may be hard-pressed to make sounds
with it that can’t be used in at least some musical style. The creation of classic analog
synthesizer brass sounds are just one of its many strengths.
Parameters of the ES P
8, 16, 32
The 8, 16, and 32 buttons determine the ES P’s octave transposition.
Waveform Faders
The faders on the left side of the panel allow you to mix several waveforms, output by
the oscillators of the ES P. In addition to triangular, sawtooth, and rectangular waves,
the rectangular waves of two sub-oscillators are also available. One of these is one
octave lower than the main oscillators, and the other, two octaves lower. The pulse
width of all rectangular waves is 50%. The right-most fader adds white noise to the mix.
This is the raw material for classic synthesizer sound effects, such as ocean waves, wind,
and helicopters.