7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
202 Chapter 17 EFM 1
Global Parameters
Transpose
The base pitch is set with the Transpose parameter. You can transpose the EFM 1 by ±2
octaves.
Tune
Tune will fine-tune the EFM 1 ± 50 cents. A cent is 1/100th of a semitone.
Randomize
The Randomize facility generates new sounds with each mouse click. Click the
Randomize button to create a new randomized sound, based on the Intensity value.
Higher Intensity values—set in the numeric field by click-dragging up/down—will
produce more random sounds. Experiment with values below 10% for small variations
of a given sound.
Unison
Clicking on the Unison button will layer two complete EFM 1 voices, making the EFM 1
sound larger and fatter. In Unison mode, the EFM 1 can be played with 8-voice
polyphony.
Voices
The number of simultaneously playable voices (polyphony) is determined by the Voices
parameter. Available values are: Mono (one voice), Legato (one voice) and 2–16 voices.
In the monophonic Legato mode, playing overlapping notes will not retrigger the
EFM 1 envelopes.
Glide
Glide is used to introduce a continuous pitch bend between two consecutively played
notes. The Glide value (in ms) determines the time it takes for the pitch to travel from
the last played note to the next. Glide can be used in both of the monophonic Mono
and Legato Voices modes, as well as with the polyphonic Voices settings (2–16).
FM Parameters
FM (Intensity)
The Modulator oscillator modulates the Carrier frequency, resulting in newly generated
sidebands that add new overtones. Turning up the FM (Intensity) control (the large dial
in the center) produces increasing numbers of overtones—and the sound becomes
brighter. The FM (Intensity) parameter is sometimes called the FM Index.
Note: Although the technology behind it is very different, you could compare the FM
(Intensity) parameter to the Filter Cutoff parameter of an analog synthesizer.