7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
16
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16 Synthesizer Basics
If you are new to synthesizers, you should read this
chapter.
It covers important facts about the synthesizer and explains the difference between
analog, digital and virtual analog synthesizers. Important synthesizer terms such as
cutoff, resonance, envelope, and waveform are also introduced.
Analog and Subtractive
An analog synthesizer signal is an electrical signal, measured in volts. To give you a
brief comparison with a technology you’re probably familiar with, we’ll look at speakers.
The speaker “coils” move when the voltage—amplified by a power amplifier and output
to the speaker—changes. When the voltage rises, the speaker coil moves forward. If the
voltage falls, the speaker coil moves backwards.
In a digital synthesizer, the signal flow is digital. Binary descriptions of the signal (a
string of zeros and ones) are fed from one algorithm to another. This is an important
distinction to make. It is not the signal itself that is fed from a virtual oscillator to a
virtual filter and so on.
A virtual analog synthesizer is a digital synthesizer which mimics the architecture,
features, and peculiarities of an analog synthesizer. It includes the front panel with all
controls, which provides direct access to all sound generation parameters.
Logic’s ES1 is an example of a virtual analog synthesizer. Its virtual signal flow is as per
that found in analog synthesizers. It includes some of the desirable idiosyncrasies of
particular analog circuits—in cases where they tend to sound nice, such as high
oscillator levels overdriving the filter. The ES1 also features a graphical control surface
on your computer screen. Its signal processing (those “virtual” oscillators and so on) is
performed by the central processing unit (CPU) of your computer.