7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 14 The EVOC 20 PS 181
Envelope
The EVOC 20 PS features an Attack/Release envelope generator used for level control of
the Oscillator section.
• The Attack parameter determines the amount of time that it takes for the Oscillators
of the Synthesis section to reach their maximum level.
• The Release parameter determines the amount of time that it takes for the Oscillators
of the Synthesis section to reach their minimum level.
Sidechain Analysis In Parameters
Attack
The Attack parameter determines how quickly each envelope follower (coupled to each
Analysis filter band) reacts to rising signals. Longer Attack times result in a slower
tracking response to transients of the Analysis input signal.
Note: A long Attack time on percussive input signals (a spoken word or hi-hat part, for
example) will translate into a less articulate vocoder effect. Set Attack to the lowest
possible value to enhance articulation.
Release
The Release parameter determines how quickly each envelope follower (coupled to each
Analysis filter band) reacts to falling signals. Longer Release times cause the Analysis
input signal transients to sustain longer at the vocoder’s output.
Note: A long Release time on percussive input signals (a spoken word or hi-hat part, for
example) will translate into a less articulate vocoder effect. Note that Release times that
are too short result in rough, grainy vocoder sounds. Release values of around 8 to
10 ms have proven to be useful starting points.