7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
180 Chapter 14 The EVOC 20 PS
Analog Tuning
The Analog tuning parameter simulates the instability of analog circuitry found in
vintage vocoders. Analog alters the pitch of each note randomly. This behavior is much
like that of polyphonic analog synthesizers. The Analog knob controls the intensity of
this random detuning.
Tuning
The range of detuning is defined in the Tune window. Adjustments are made by using
the mouse as a slider. The range is from 425 to 455 Hz.
Glide
The effect of this knob depends on the setting made in the Bend Range window. Glide
determines the time it takes for the pitch to slide from one note to another
(portamento). The maximum value is +5000 ms.
Bend Range
Bend Range determines the pitch bend modulation range in semitones. The range is
±12 semitones.
Cutoff
This parameter sets the cutoff frequency of the lowpass filter. As you turn this knob to
the left, an increasing number of high frequencies is filtered from the signal.
Resonance
Turning up Resonance leads to an emphasis of the frequency area surrounding the
frequency defined by the Cutoff parameter. The filter is used for rough signal shaping,
before the signal is articulated by the vocoding circuits.
Note: Set Cutoff as high as possible, and add a little Resonance to achieve a nice,
brilliant high-end.