7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 14 The EVOC 20 PS 179
Note: Turn Color full-right and Level a tiny bit up to achieve a more lively and fresh
synthesis signal.
Dual Mode Parameters
The parameters specific to Dual mode are found in the Wave 2 section, and the Balance
slider to the right.
• The Semi parameter adjusts the tuning of the second oscillator (Wave 2) in semitone
steps. Adjustment is made by using the mouse as a slider directly on the numerical
field. Its range: ±24, or up/down two octaves.
• The Detune parameter fine-tunes Wave 1 and Wave 2 in cents. 100 cents equals a
semitone step. Doing so will detune Wave 1 in conjunction with Wave 2 around the
tuning zero point. The range is ±50 cents, or up/down half a semitone. Adjustment is
made by using the mouse as a slider directly on the numerical field.
• The Balance slider allows you to blend the two oscillator signals (Wave 1 and Wave 2).
FM Mode Parameters
The parameters specific to the FM mode are found in the Wave 2 section, and the FM
Int slider to the right.
• The Ratio c(oarse) parameter adjusts the coarse frequency ratio of the second
oscillator in relation to the first oscillator. Adjustment is made by using the mouse as
a slider directly on the numerical field. Range: 0–32.
• The Ratio f(ine) parameter adjusts the fine frequency ratio of the second oscillator in
relation to the first oscillator. The range is 0–99. Adjustment is made by using the
mouse as a slider directly on the numerical field
• The FM Int slider determines the intensity of Wave 1’s sine wave modulation by Wave
2. Higher FM Int settings will result in a more complex waveform with more
overtones.
When combined, the Ratio and FM Int parameters form the resulting complex FM
waveform, thus defining the harmonic content.