7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 14 The EVOC 20 PS 177
• When Poly is selected, the maximum number of voices is set via the numeric field
alongside the Poly button. To change the value, click and hold with your mouse, and
drag up or down to increase/decrease polyphony.
Note: Increasing the number of voices also increases processor overhead.
• When Mono or Legato is selected, the EVOC 20 PS is monophonic, and uses only one
voice.
• In Legato mode, Glide (see page 180) is only active on tied notes. Envelopes are not
retriggered when tied notes are played (single trigger).
• In Mono mode, Glide is always active and the envelopes are retriggered by every
note played (multi trigger).
• The Unison button enables/disables Unison mode. In this mode, each EVOC 20 PS
voice is doubled, which will cut polyphony in half (to a maximum of 8 voices) as
indicated by the numeric Voices field. The doubled voices are detuned by the amount
defined with the Analog parameter. (Also see the “Analog Tuning”, from page 180
onwards.)
• In Unison-Mono mode (both the Unison and Mono or Legato buttons are active), up to
16 voices can be stacked and played monophonically. In this mode, the Voices field
displays the number of stacked voices that sound at the same time.
Warning: Stacking voices in Unison-Mono mode will increase the EVOC 20 PS’s output
volume. To avoid overloading the Audio Instrument channel output, adjust the
EVOC 20 PS’s Level slider accordingly.
Oscillator Section
The EVOC 20 PS is equipped with a two oscillator digital synthesizer which features a
number of waveforms, and FM (Frequency Modulation). Further to these sound-
generators in the Synthesis section is an independent Noise generator.
There are two oscillator modes.
• Dual: Where two oscillators make use of single-cycle digital waveforms to provide
the Synthesis sound source(s).
• FM: A two operator FM engine, with Oscillator 1 as a sine wave carrier, and Oscillator
2 as the modulator. Oscillator 2 can use any of the single-cycle digital waveforms.
You can switch between Dual and FM modes by clicking on the Dual or FM label(s) to
the top left of the section shown in the diagrams.