7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
176 Chapter 14 The EVOC 20 PS
6 Ensure that the corresponding Audio Instrument track is selected in the Arrange
window. The EVOC 20 PS is now ready to accept incoming MIDI data, and has been
assigned to see the output from the selected audio track via a Side Chain.
7 In the Track Mixer or Environment Audio layer (not the Arrange!), mute the audio track
(the vocal track) serving as the Side Chain input.
8 Press the Play button on the Transport Bar, or use the Play key command (0 on the
numeric keypad).
9 And now … as the audio file is playing back, play your MIDI keyboard.
10 In the Track Mixer (or Environment Audio layer), adjust the volume levels of the
EVOC 20 PS and the audio track used for the Side Chain to taste.
11 Do a little experimentation with the knobs, sliders, and other controls. Have fun, and
feel free to insert further effect plug-ins on the channel or busses to further enhance
the sound.
EVOC 20 PS Parameters
The EVOC 20 PS interface is divided into six main sections. These are the Synthesis,
Sidechain Analysis, Formant Filter, Modulation, U/V Detection, and Output areas.
Synthesis Parameters
The EVOC 20 PS is equipped with a polyphonic synthesis engine. It is capable of
accepting MIDI note input. The parameters of the Synthesis section are described
below.
Mode Switches
These switches determine the number of voices used by the EVOC 20: