7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
14
175
14 The EVOC 20 PS
The EVOC 20 PS combines a vocoder with a polyphonic
synthesizer, and can be played in real-time. This chapter
explains the use of the EVOC 20 TO and its parameters.
The EVOC 20 PS is a sophisticated vocoder, equipped with a polyphonic synthesis
engine, and capable of receiving MIDI note input. This allows the EVOC 20 PS to be
played, resulting in classic vocoder choir sounds, for example. Single notes and chords
played with the polyphonic EVOC 20 PS will sing with the articulation of the Analysis
audio source. During this process, the sonic characteristics and changes of the audio
signal arriving at the Analysis input (the audio track selected as a side chain) are
imposed onto the output signal of the integrated synthesizer (the Synthesis section).
The signal path of the EVOC 20 PS is shown in the block diagram on page 190.
Using the EVOC 20 PS
To make use of the EVOC 20 PS, you need to insert the EVOC 20 PS into an Audio
Instrument channel instrument slot, and you also need to provide an audio signal as
the Analysis audio source.
You can do this by following these steps.
1 Select or create a new audio track in the Arrange window.
2 Insert (or record) an audio file—we’ll use a vocal part to start with—onto this audio
track by Shift-clicking onto the Arrange area with the Pencil tool. This will launch a file
browser, allowing you to select the desired audio file.
3 Click once on the name of the audio file you wish to use, and press Open. The file will
be inserted at the selected location. It may be worthwhile setting up a cycle region in
the Arrange window, allowing you to continually cycle the audio part. This will make
experimentation easier.
4 Insert the EVOC 20 PS into the Instrument slot of an Audio Instrument channel.
5 In the gray area at the top of the Plug-in window, click-hold on the Side Chain pull-
down menu, and select the audio track that contains the audio file.