7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
168 Chapter 13 Vocoder—Basics
How Does a Vocoder Work?
The speech analyzer and synthesizer referred to above are actually two filter banks of
bandpass filters. Bandpass filters allow a frequency band (a slice) in the overall
frequency spectrum to pass through unchanged, and cut the frequencies which fall
outside of the band’s range.
In Logic’S EVOC 20 plug-ins, these filter banks are named the Analysis and Synthesis
sections. These filter banks have a matching number of corresponding bands—if the
Analysis filter bank has five bands (1, 2, 3, 4, and 5), there will be a corresponding set of
five bands in the Synthesis filter bank. Band 1 in the Analysis bank is matched to band 1
in the Synthesis bank, band 2 to band 2, and so on.
The audio signal arriving at the analysis input passes through the Analysis filter bank
where it is divided into up to 20 bands.
An envelope follower is coupled to each filter band. The envelope follower of each band
tracks (follows) any volume changes in the portion of the audio source allowed to pass
by the associated bandpass filter. In this way, the envelope follower of each band
generates dynamic control signals.
These control signals are then sent to the Synthesis filter bank where they control the
levels of the corresponding Synthesis filter bands. This is done via VCAs—Voltage
Controlled Amplifiers. This allows the volume changes of the bands—and thus the
changes of the original sound—in the Analysis filter bank to be imposed on the
matching bands in the Synthesis filter bank.
The more bands a Vocoder offers, the more precisely the original sound’s character will
be re-modeled.
How Does a Filter Bank Work?
If you removed all circuits responsible for transferring the sonic characteristics from the
analysis to the synthesis signal from a Vocoder, and dispensed with the detection of
voiced or unvoiced signals, you’d be left with two filter banks—the analysis and
synthesis filters. To use these musically, you would need to ensure that you could
control the output level of each bandpass filter. With this level of control, you can apply
unique and dramatic changes to the frequency spectrum.
Analysis
Audio Source
Analysis
Filter Bank
Env.
Follower
VCA
Envelope Follower 1—5
Control Signal 1—5
1—5
Audio
Output
Band 1—5
Synthesis
Filter Bank
Band 1—5
U/V
Detection
Synthesis
Audio Source