7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 12 Helper 165
Note: Auto Gain is a display parameter only, and increases display levels in order to
enhance readability. The actual audio levels are not affected by this parameter.
Decay
The Decay parameter determines the time that it takes for the Goniometer trace to fade
to black.
Correlation Meter
This is another phase measurement tool that gauges the phase relationship of a stereo
signal. This meter is also available as a separate plug-in.
The Correlation Meter’s scale ranges from −1 to +1.
• A
+
1 correlation value indicates that the left and right channels correlate 100%. In
other words, the left and right signals are in phase.
• Correlation values in the blue zone (between +1 and the middle position) indicate
that the stereo signal is mono compatible.
• The middle position indicates the highest permissible amount of left/right
divergence, which is often audible as an extremely wide stereo effect.
• Once the correlation meter moves into the red area to the left of the center position,
out-of-phase material is present. This will lead to phase cancellations if the stereo
signal is combined into a mono signal.
Level Meter (Peak/RMS Meter)
The stereo Level Meter shows the current signal level on a logarithmic scale—using
two blue bars. If the level is higher than 0 dB, the portion of the bar above the 0 dB
point will turn red.
This meter is also available as a separate small plug-in.
The current peak values are displayed numerically (in dB increments), above the Level
Meter. The values are reset by clicking into the display.
While the separate Level Meter plug-in is switchable between Peak and RMS
characteristics, the Level Meter of the Multimeter shows Peak and RMS values
simultaneously. The RMS level is represented by a dark blue bar while the Peak level bar
is light blue in color.