7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
164 Chapter 12 Helper
These features are useful when analyzing highly compressed material, as you can
identify smaller level differences more easily by moving and/or reducing the display
range.
Mode
There are three display response modes: RMS slow, fast, and Peak.
The two RMS modes with slow and fast response settings show the effective signal
average (“Root Mean Square”), and provide a good representative overview of the
perceived volume levels. The Peak mode shows level peaks accurately.
Goniometer
The idea of the Goniometer was born with the advent of early two channel
oscilloscopes. To use such devices as Goniometers, users would connect the left and
the right stereo channels to the X and Y inputs, while rotating the display by 45
degrees. This would result in a useful visualization of the signal’s stereo phase.
A Goniometer helps you to judge the coherence of the stereo image. Phase problems
are easily spotted as trace cancellations along the center line (M—mid/mono).
The signal trace slowly fades to black. Not only does this imitate the retro glow of the
tubes found in older Goniometers, it also significantly enhances the readability of the
tool.
Goniometer Button
This button activates the Goniometer (and deactivates the Analyzer).
Auto Gain
In order to obtain a higher readout on low-level passages, you can use the Auto Gain
display parameter. When activated, this parameter allows the display to automatically
compensate for low input levels. The amount of compensation can also be set with the
Auto Gain parameter. The Auto Gain parameter can also be adjusted by click-holding
and dragging directly in the display area of the Goniometer.