7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 11 Special 155
Parameters of the Stereo Spread
Order
The Order knob determines the number of frequency bands that the signal is to be
divided into.
Upper Int.
This parameter controls the intensity of the base extension of the upper frequency
bands.
Lower Int.
This parameter controls the intensity of the base extension of the lower frequency
bands.
Note that
• the stereo effect shows up mainly in the middle and higher frequencies, and
• if very low frequencies are distributed between the left and right speakers, the
energy distribution for both speakers will be significantly reduced.
Therefore, it is always best to select a lower Intensity setting for the lower frequency
bands, and to avoid setting the Lower Freq. below 300 Hz.
Upper Freq.
This sets the upper limit of the highest frequency band to be distributed in the stereo
image.
Lower Freq.
This sets the lower limit of the lowest frequency band to be distributed in the stereo
image (see the note in the Lower Int. section).
The Graphic Display
The graphic display shows the selected order (how many bands the signal is divided
into), and how strong the Stereo Spread effect will be in the upper and lower
frequency bands.
The upper section represents the left channel, the lower section the right channel, and
the frequency scale shows the frequencies in ascending order from left to right.