7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
150 Chapter 11 Special
Correction Amount
The amount of pitch change is indicated in the horizontal bar display. If you keep a
close eye on this display, you can use it for two important tasks: To better understand
the inner workings of the algorithm works, and adjust the Response accordingly. You
can also use the display when discussing (and optimizing) the vocal intonation with a
singer during a recording session.
Automation
As with almost all Logic plug-ins, Pitch Correction can be fully automated. This means
that you can automate the Scale and Root parameters to follow the harmonies of the
song. Simply select the Touch or Write automation modes for the track, and change the
Scale and Root parameters by key during playback. Depending on the quality of the ori-
ginal intonation, setting the key Scale might suffice. Weaker intonations might need
more significant changes to the Scale and Root parameters.
Note: The keys of the scale can’t be switched by MIDI notes.
SubBass
This plug-in generates frequencies below those in the original signal—in other words
an artificial bass.
Warning: This process is known as a loudspeaker killer! Choose moderate monitoring
levels, and never try to play back sub-bass frequencies with loudspeakers which aren’t
capable of doing so. Never try to force a loudspeaker to output these frequency bands
with an EQ.