7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 11 Special 147
• At a setting of −100% (switch −1), all intervals are mirrored.
The Pitch Base parameter is used to transpose the note that the Tracking parameter is
following. As an example: the note which is spoken, if Tracking is set to 0%.
Pitch Correction
The Pitch Correction plug-in enables you to correct the pitch of audio tracks. Improper
intonation is a common problem with vocal tracks, and this can be easily fixed with the
Pitch Correction plug-in. The sonic artefacts of the process are minimal and can barely
be heard, as long as the corrections are moderate. The natural articulation of the per-
formance is preserved. Should large transposition intervals be used, you can achieve a
static pitch, thus creating an interesting effect, known as the “Cher” effect. Any scale
can be defined as a pitch quantization grid. Improperly intonated notes will be correc-
ted to this grid. The keyboard at the center of the Plug-in window is used to define the
scale that will serve as the pitch quantization grid.
Note: Polyphonic Recordings (choirs on one track) and highly percussive signals, with
prominent noisy portions, can’t be corrected to a specific pitch. Despite this, feel free to
try the plug-in on drum tracks!
Function Principle
The Pitch Correction algorithm is designed for corrections of smaller pitch shifting
intervals. The correction works in a similar fashion to an audio tape, with the playback
speed accelerated and slowed down in a way that ensures the singing voice always
matches the correct note pitch. If you force the algorithm to correct larger intervals,
you can create special effects.