7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
100 Chapter 8 Modulation
The modulation section offers two LFOs, featuring individually variable frequencies, and
freely variable mix options (LFO Mix). Additionally, the frequency of LFO 1 can be
modulated by the level of the input signal. Use the Envelope Modulation slider to set
the desired modulation intensity. By staking out the limits of the modulation with its
highest and lowest values, you can determine the modulation width and range. These
high/low limits are controlled by the Sweep Ceiling and Sweep Floor sliders—you can
enter values for them directly in the form of the desired frequency. This value also
determines the maximum intensity of the comb filtering created by the phasing effect.
The Stereo Phase knob is used to define the phase for the left and right channels of a
stereo phaser (s/s). When you’re using a monaural phaser, this parameter is, of course,
meaningless and can’t be set. As the icing on the phasing cake, you can tweak the
Color slider to add just that to the effect. Technically, the comb filtering effect is
amplified via feedback.
There are six additional parameters in the Phaser’s Controls view.
The Mix slider determines the balance of dry and wet signals. Negative values result in
a phase inverted mix of effect and direct signal. The Phaser’s built-in envelope follower
tracks any volume changes in the input signal, generating a dynamic control signal.
This control signal can be used as a modulation source. Dir.-Env-Mod sets the desired
modulation intensity for the envelope control signal. Warmth switches on an additional
distortion effect, which allows the creation of warm overdrive effects. FB Filter can be
used to activate an additional filter section, which processes the feedback signal of the
Pitch Shifter. This filter section consists of a highpass and lowpass filter, where cutoff
frequency can be set with LP Cutoff and HP Cutoff.