9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Q fields: Sets the Q or bandwidth of each band—the range of frequencies around the
center frequency that are altered. At low Q factor values, the EQ covers a wider frequency
range. At high Q values, the effect of the EQ band is limited to a narrow frequency
range. The Q value can significantly influence how audible your changes are—if you’re
working with a narrow frequency band, you’ll generally need to cut or boost more
drastically to notice the difference.
Note: For bands 1 and 5, this changes the slope of the filter.
• Band On/Off buttons: Enables/disables the corresponding band.
• Master Gain slider and field: Sets the overall output level of the signal. Use it after
boosting or cutting individual frequency bands.
Single-Band EQs
The sections below provide descriptions for the following Logic Express single-band EQ
effects:
• Low Cut and High Cut Filter
• High Pass and Low Pass Filter
• High Shelving and Low Shelving EQ
• Parametric EQ
You can find these effects by opening the plug-in menu and choosing EQ > Single Band.
Low Cut and High Cut Filter
The Low Cut Filter attenuates the frequency range that falls below the selected frequency.
The High Cut Filter attenuates the frequency range above the selected frequency. Use
the Frequency slider and field to set the cutoff frequency.
High Pass and Low Pass Filter
The High Pass Filter affects the frequency range below the set frequency. Higher
frequencies pass through the filter. You can use the High Pass Filter to eliminate the bass
below a selectable frequency.
93Chapter 5 Equalizers