9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Hold slider and field: Determines the duration for which the music mix channel strip
volume is reduced. This control prevents a chattering effect that can be caused by a
rapidly changing side-chain level. If the side-chain level hovers around the threshold
value rather than clearly exceeding or falling short of it, set the Hold parameter to a
high value to compensate for any rapid volume reductions.
• Release slider and field: Controls how quickly the volume returns to the original level.
Set it to a high value if you want the music mix to slowly fade up after the
announcement.
Using the Ducker
The steps below show how to use the Ducker on existing recordings.
Note: For technical reasons, the Ducker plug-in can be inserted only in output and aux
channel strips.
To use the Ducker plug-in
1 Insert the plug-in into an aux channel strip.
2 Assign all channel strip outputs that are supposed to “duck” (dynamically lower the volume
of the mix) to a bus—the aux channel strip chosen in step 1.
3 Choose the bus that carries the ducking (vocal) signal in the Side Chain menu of the
Ducker plug-in.
Note: Unlike all other side-chain-capable plug-ins, the Ducker side chain is mixed with
the output signal after passing through the plug-in. This ensures that the ducking
side-chain signal—the voice-over—is heard at the output.
4 Adjust the Ducker parameters.
76 Chapter 4 Dynamics Processors