9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
The advantage of using the DeEsser rather than an EQ to cut high frequencies is that it
compresses the signal dynamically, rather than statically. This prevents the sound from
becoming darker when no sibilance is present in the signal. The DeEsser has extremely
fast attack and release times.
When using the DeEsser, you can set the frequency range being compressed (the
Suppressor frequency) independently of the frequency range being analyzed (the Detector
frequency). The two ranges can be easily compared in the DeEsser’s Detector and
Suppressor frequency range displays
The Suppressor frequency range is reduced in level for as long as the Detector frequency
threshold is exceeded.
The DeEsser does not use a frequency-dividing network—a crossover utilizing lowpass
and highpass filters. Rather, it isolates and subtracts the frequency band, resulting in no
alteration of the phase curve.
The Detector parameters are on the left side of the DeEsser window, and the Suppressor
parameters are on the right. The center section includes the Detector and Suppressor
displays and the Smoothing slider.
DeEsser Detector Section
• Detector Frequency knob and field: Sets the frequency range for analysis.
• Detector Sensitivity knob and field: Sets the degree of responsiveness to the input signal.
• Monitor pop-up menu: Choose Det(ector) to monitor the isolated Detector signal,
Sup(pressor) to monitor the filtered Suppressor signal, Sens(itivity) to remove the sound
from the input signal in response to the Sensitivity parameter, or Off to hear the DeEsser
output.
73Chapter 4 Dynamics Processors