9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Common Parameters
• Beat Sync button: Synchronizes delay repeats to the project tempo, including tempo
changes.
• Output Mix (Left and Right) sliders and fields: Independently control the left and right
channel signals.
• Low Cut and High Cut sliders and fields: Frequencies below the Low Cut value and above
the High Cut value are filtered out of the source signal.
Tape Delay
Tape Delay simulates the warm sound of vintage tape echo machines, with the
convenience of easy delay time synchronization to your project tempo. The effect is
equipped with a highpass and lowpass filter in the feedback loop, simplifying the creation
of authentic dub echo effects. Tape Delay also includes an LFO for delay time modulation,
which can be used to produce pleasant or unusual chorus effects, even on long delays.
• Feedback slider: Determines the amount of delayed and filtered signal that is routed
back to the input of the Tape Delay. Set the Feedback slider to the lowest possible
value to generate a single echo. Turn Feedback all the way up to endlessly repeat the
signal. The levels of the original signal and its taps (echo repeats) tend to accumulate,
and may cause distortion. You can use the internal tape saturation circuit to ensure
that these overdriven signals continue to sound good.
• Freeze button: Captures the current delay repeats and sustains them until the Freeze
button is turned off.
• Delay field: Sets the current delay time in milliseconds (this parameter is dimmed when
you synchronize the delay time to the project tempo).
• Sync button: Synchronizes delay repeats to the project tempo (including tempo changes).
• Tempo field: Sets the current delay time in beats per minute (this parameter is dimmed
when you synchronize the delay time to the project tempo).
57Chapter 2 Delay Effects