9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Note: If you use the effect on mono channel strips, the track or bus will have two channels
from the point of insertion—all Insert slots after the chosen slot will be stereo.
As the parameters for the left and right delays are identical, the descriptions below only
cover the left channel—the right channel information is provided in brackets, if named
differently. Parameters that are common to both channels are shown separately.
Channel Parameters
• Left (Right) Input pop-up menu: Choose the input signal for the two stereo sides. Options
include OFF, Left, Right, L + R, L − R.
• Left (Right) Delay field: Sets the current delay time in milliseconds (this parameter is
dimmed when you synchronize the delay time to the project tempo).
• Groove slider and field: Determines the proximity of every second delay repeat to the
absolute grid position—in other words, how close every second delay repeat is.
• Note buttons: Set the grid resolution for the delay time. These are shown as note
durations (these are dimmed when the delay time is not synchronized with the project
tempo).
• Left (Right) Feedback knob and field: Set the amount of feedback for the left and right
delay signals.
• Crossfeed Left to Right (Crossfeed Right to Left) knob and field: Transfer the feedback signal
of the left channel to the right channel, and vice versa.
• Feedback Phase button: Use to invert the phase of the corresponding channel’s feedback
signal.
• Crossfeed Phase button: Use to invert the phase of the crossfed feedback signals.
56 Chapter 2 Delay Effects