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DescriptionStompbox
A vibrato/chorus effect based on the Scanner Vibrato unit found in
the Hammond B3 organ. You can choose from three vibrato (V1–3)
or chorus (C1–3) variations with the Type knob. Rate sets the
modulation speed and can run freely, or be synchronized with the
host application tempo by enabling the Sync button. When
synchronized, you can specify bar, beat and note values (including
triplets and dotted notes). Depth sets the strength of the effect. See
Scanner Vibrato Effect for background information on this effect.
the Vibe
Delay Pedals
This section describes the Delay effects pedals.
DescriptionStompbox
A delay effect. Time sets the modulation speed and can run freely,
or be synchronized with the host application tempo by enabling
the Sync button. When synchronized, you can specify bar, beat and
note values (including triplets and dotted notes). The Repeats knob
determines the number of delay repeats. Mix sets the balance
between the delayed and source signals. The Tone Cut switch
controls a fixed frequency internal filter circuit that allows more low
(Lo) or high (Hi) frequency content to be heard. You can also disable
this filter circuit by choosing Off.
Blue Echo
A spring reverb pedal. Time sets the length of the reverberation to
short, medium, or long values. Tone controls the cutoff frequency,
making the effect brighter or darker. Style switches between
algorithms, each with different characteristics. You can choose
from: Boutique, Simple, Vintage, Bright, and Resonant. Mix sets the
ratio between the source and effect signals.
Spring Box
A vintage tape delay effect. The Norm/Reverse switch changes the
delay playback direction. Reverse mode is indicated by a blue LED
and Normal mode is indicated by a red LED. Hi Cut and Lo Cut
activate a fixed frequency filter. Dirt sets the amount of input signal
gain, which can introduce an overdriven, saturated quality. Flutter
emulates speed fluctuations in the tape transport mechanism. Time
sets the modulation speed and can run freely, or be synchronized
with the host application tempo by enabling the Sync button. When
synchronized, you can specify bar, beat and note values (including
triplets and dotted notes). Feedback determines the amount of the
effect signal that is routed back into the input. The buildup of
repeating signals can be used creatively for dub-delay and other
effects by adjusting Feedback in real time. Mix sets the balance
between the source and effect signals.
Tru-Tape Delay
Filter Pedals
This section describes the filter effects pedals.
49Chapter 1 Amps and Pedals