9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
DescriptionStompbox
A rich, sweet-sounding chorus effect that can significantly thicken
the sound. Rate sets the modulation speed and can run freely, or
be synchronized with the host application tempo by enabling the
Sync button. When synchronized, you can specify bar, beat and
note values (including triplets and dotted notes). Depth sets the
strength of the effect. Feedback sends the output of the effect back
in to the input, further thickening the sound, or leading to
intermodulations. Delay sets the ratio between the original and
effect signals. The upper Bright switch position applies a fixed
frequency internal EQ to the signal. At the bottom position, the EQ
is bypassed.
Heavenly Chorus
A simple phasing effect. Rate sets the modulation speed and can
run freely, or be synchronized with the host application tempo by
enabling the Sync button. When synchronized, you can specify bar,
beat and note values (including triplets and dotted notes). Depth
sets the strength of the effect. Feedback determines the amount
of the effect signal that is routed back into the input. This can
change the tonal color, can make the sweeping effect more
pronounced, or can do both.
Phase Tripper
A very flexible dual-phaser effect. LFO 1 and LFO2 Rate sets the
modulation speed and can run freely, or be synchronized with the
host application tempo by enabling the Sync button. Ceiling and
Floor determine the frequency range that is swept. Order switches
between different algorithms, with higher (even) numbers resulting
in a heavier phasing effect. Odd order numbers result in more subtle
comb-filtering effects. Feedback determines the amount of the
effect signal that is routed back into the input. This can change the
tonal color, can make the phasing effect more pronounced, or can
do both. Tone works from the center position; turn it to the left to
increase the amount of lowpass filtering, or turn it to the right to
increase the amount of highpass filtering. Mix sets the level ratio
between each phaser.
Phaze 2
A subtle, vintage chorus effect. Rate sets the modulation speed and
can run freely, or be synchronized with the host application tempo
by enabling the Sync button. When synchronized, you can specify
bar, beat and note values (including triplets and dotted notes).
Depth sets the strength of the effect.
Retro Chorus
Flexible flanging effect. Rate sets the modulation speed and can
run freely, or be synchronized with the host application tempo by
enabling the Sync button. When synchronized, you can specify bar,
beat and note values (including triplets and dotted notes). Depth
sets the strength of the effect. Feedback determines the amount
of the effect signal that is routed back into the input. This can
change the tonal color, can make the flanging effect more
pronounced, or can do both. The Manual knob sets a delay time
between the source and effect signals. This can result in
flanger-chorus effects, or in metallic-sounding modulations,
particularly when used with high Feedback values.
Robo Flanger
47Chapter 1 Amps and Pedals