9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
In Logic Express, you use a controller assignment or create a Workspace knob for “Macro
A–H Value.” MIDI hardware switches, sliders, or knobs can then be used to control the
mapped Pedalboard Macro A–H target parameters in real time. See the Logic Express
User Manual for details.
Click the triangle at the bottom left to hide or show the Macro Controls area.
• Macro A–H Target pop-up menus: Determine the parameter that you want to control
with a MIDI controller.
• Macro A–H Value sliders and fields: Set, and display, the current value for the parameter
chosen in the corresponding Macro Target pop-up menu.
To assign a Macro A–H Target
Do one of the following:
µ
Click any of the Macro A–H Target pop-up menus, and choose the parameter that you
want to control.
Each stompbox parameter is shown in the following way: “Slot number—Pedal
Name—Parameter”. As examples: “Slot 1—Blue Echo—Time”, or “Slot 2—Roswell
Ringer—Feedback”. The “slot” number refers to the pedal position, as they appear from
left to right in the Pedal area.
µ
Choose the “-Auto assign-” item in any Macro A–H Target pop-up menu, then click the
appropriate parameter in any inserted pedal.
Note: The chosen parameter is displayed in the Macro A–H Target pop-up menu.
Distortion Pedals
This section describes the distortion effects pedals.
DescriptionStompbox
A bright, “nasty” distortion effect. Drive controls the input signal
gain. Level sets the effect volume.
Candy Fuzz
A deluxe distortion effect. It offers independent level controls for
input (Input) and output (Level). Drive controls the amount of
saturation applied to the input signal. The Tone knob sets the cutoff
frequency. The Squash knob sets the threshold for the internal
compression circuit. Contour sets the amount of nonlinear distortion
applied to the signal. Mix sets the ratio between the source and
distorted signals. The Bright/Fat switch changes between two fixed
high shelving filter frequencies. Blue and red LEDs indicate each
switch position, respectively.
Double Dragon
45Chapter 1 Amps and Pedals