9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
µ
Click to select the stompbox you want to replace in the Pedal area, then double-click the
appropriate pedal in the Pedal Browser.
Note: You can only replace “effect” pedals, not the Mixer or Splitter utilities. Bus routings,
if active, are not changed when an effect pedal is replaced.
To remove a pedal from the Pedal area
Do one of the following:
µ
Drag the pedal out of the Pedal area.
µ
Click the pedal to select it and press the Delete key.
Using Pedalboard’s Routing Area
Pedalboard has two discrete signal buses—Bus A and Bus B—that are found in the Routing
area above the Pedal area. These busses provide a great deal of flexibility when you are
setting up signal processing chains. All stompboxes that you drag into the Pedal area are
inserted into Bus A, by default.
Note: The Routing area appears when you move your pointer to a position immediately
above the Pedal area, and it disappears when you move the pointer away. When you
create a second bus routing, the Routing area remains open even when your pointer is
not over it. You can close the Routing area by clicking the small latch button at the top,
and then the Routing area will open or close automatically when you move your pointer
over it.
To create a second bus routing
Do one of the following:
µ
Move your pointer immediately above the Pedal area to open the Routing area, and click
the name of a stompbox in the Routing area. The pedal name moves upward, and the
chosen stompbox is routed to Bus B. Two gray lines appear in the Routing area, which
represent Bus A and Bus B. A Mixer utility pedal is automatically added to the end of the
signal chain.
µ
Drag a Splitter utility pedal into the Pedal area when more than one pedal is inserted.
This also inserts a Mixer at the end of the signal chain if one doesn’t already exist.
To remove the second bus routing
Do one of the following:
µ
Remove the Mixer and Splitter utility pedals from the Pedal area.
43Chapter 1 Amps and Pedals