9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
To add a pedal to the Pedal area
Do one of the following:
µ
Drag the stompbox that you want to insert from the Pedal Browser to the appropriate
Pedal area position. This can be to the left, to the right, or in-between existing pedals.
µ
Ensure that no pedal is selected in the Pedal area, then double-click a stompbox in the
Pedal Browser to add it to the right of all existing effects in the Pedal area.
Note: You insert Mixer and Splitter utility pedals in a different way. See Using Pedalboard’s
Routing Area.
To change an effect pedal position in the Pedal area
µ
Drag the stompbox to a new position, either to the right or the left. Automation and bus
routings, if active, are moved with the effect pedal. For information about automation
and bus routings, see Using Pedalboard’s Routing Area.
Note: There are two exceptions to the bus routing rule: If the dragged pedal is the only
pedal between a Splitter and Mixer utility, both utility pedals are automatically removed.
If the second Bus (“B”) is not active at the destination, the pedal is inserted into Bus A.
To change a Mixer utility position in the Pedal area
µ
Drag the Mixer utility to a new position, either to the left or the right.
When moved to the left: The “downmix” of Bus A and B will occur at the earlier insertion
point. Relevant effect pedals are moved to the right and are inserted into Bus A.
When moved to the right: The “downmix” of Bus A and B will occur at the later insertion
point. Relevant effect pedals are moved to the left and are inserted into Bus A.
Note: A Mixer pedal cannot be moved to a position directly after (or to the left of ) a
corresponding split point or Splitter utility.
To change a Splitter utility position in the Pedal area
µ
Drag the Splitter utility to a new position, either to the right or the left.
When moved to the left: The split between Bus A and B will occur at the earlier insertion
point. Relevant effect pedals are moved to the right and are inserted into Bus A.
When moved to the right: The split between Bus A and B will occur at the later insertion
point. Relevant effect pedals are moved to the left and are inserted into Bus A.
Note: A Splitter pedal cannot be moved to a position directly preceding (or to the right
of) a corresponding Mixer utility.
To replace a pedal in the Pedal area
Do one of the following:
µ
Drag the stompbox from the Pedal Browser directly over the pedal you want to replace
in the Pedal area.
42 Chapter 1 Amps and Pedals